Christian minister Jacob Aranza wrote a couple of
books in the mid-1980s, Backward Masking
Unmasked (1983) and More Rock,
Country & Backward Masking Unmasked (1985), that provide less on backmasking than their titles promise – both
books combined contain only a few pages on the subject of reversed sounds on
records. The rest consists of criticism of the music and lifestyles of popular
musicians, and Aranza casts a wide net. Even an innocuous duo like the Captain
and Tennille are condemned for having an interest in, among other things,
ecology and “vegetarian diets” (Backward
Masking Unmasked, 77). Get thee behind me, Salad.
It is in his second book that we come across a story
of an unidentified manager of a rock band who brags to an unidentified youth
evangelist about the music industry’s long-range plan to turn kids on to Satan.
Their unholy scheme will culminate with rock gods “raising people up out of
wheelchairs and performing the supernatural during concerts.” From the vantage
point of 2019, it is apparent that this so-called “Four Step Plan” is way behind
schedule; in fact, it may have been subverted by the rise of rap music and society’s
regrettable rejection of guitar solos as a legitimate method of achieving
transcendence. Harrumph!
Jacob Aranza, More
Rock, Country & Backward Masking Unmasked (Shreveport: Huntington
House, 1985), 21-3.
Recently, one of America's most popular youth
evangelists was on a plane flying to a crusade. Everything seemed as though it
would be a typical flight. Little did he know today he would peek into Satan's
agenda for the music world. As the plane became airborne, he began to talk with
the man seated beside him.
After the normal small talk, the evangelist asked the
gentleman in what business he was involved. To his surprise, the man was the
manager of one of the largest rock groups in the world. The evangelist then
asked, “What's next in the rock music world?”
As the manager of the rock group began to talk, the
evangelist was shocked by his knowledge, not only about rock music, but also
about the sales and the marketing industry. The man proceeded to tell him about
the Four Step Plan taking place in
rock music. This is what I call “Satan’s Agenda” for the music world.
He explained that each phase or step in this agenda
appealed to a different side of the human personality. He said that Step One
began in 1955, at the birth of rock music and lasted until 1965. This step was
intended to push sex through music. Elvis Presley, Chuck Berry and Gene Vincent
helped to accomplish this through their sex appeal. This promotion of sex, from
1955-1965, brought on the sexual revolution and the free love generation. Young
people across America, and around the world, threw away their moral standards
so they could both listen to this music and experience it. This was to open the
door for Step Two which began in 1965.
Step Two was to run from 1965-1970. He said that this
phase was meant to arouse the spirit of young people towards drugs, rebellion,
and anti-establishment movements. Protests began to develop on campuses across
the nation. A rejection of all traditional values evolved, and an arousal of
the spirit world through the supernatural began.
Many remember groups like the Beatles turning to gurus and Eastern religions. This spiritual
awakening through music gave way to millions turning to cults, like the
Children of God, Hare Krishna, Ma Jura Ja Gi and many others.
Step Three, he continued, began in 1970 and has run
through part of the ‘80s. In this step, the quality of music isn't important,
but that it has an addicting sound caused by loud and violent tones.
He went on to say, “We're just like any other
business. How does a business sell cosmetics, clothes or cars? They all have
what is called a motivational trigger. You touch someone's hot button and they
buy. In rock music we have been looking for the ultimate hot button for years,
and we believe we have finally found it!” He explained this to be part of Step
Four.
Step Four will begin during the ‘80s. “We have found,”
he said, “that the greatest commitment anyone makes is a religious one. That
would be the greatest motivator to get people to buy rock records. So,
beginning in the ‘80s, we are going to have religious services in our concerts.
We are going to pronounce ourselves (rock stars) as messiahs, making intimate
acquaintances and covenants with Satan. We’ll be praying for the sick, raising
people up out of wheelchairs and performing the supernatural during concerts.
We are going to be worshipped!”
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